It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.

It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.

New Voices: On Futurity showcases work by our 2025 New Voices Cohort, who each craft bold and unique visions of potential timelines and imagined futures: Edwige Charlot (Providence, RI), Francisco Donoso (New York, NY), Mariana Ramos Ortiz (New York, NY), Edward Steffanni (Roanoke, VA), and Sergio Suárez (Atlanta, GA). Through an array of media that pushes the boundaries of traditional print—including sculpture, video, and installation—On Futurity invites us to consider the possibilities that lie ahead, understanding that we must not rest comfortably in the present but rather dream and enact new, better worlds.

Throughout their dynamic and multidisciplinary practice, José Villalobos (b.1988, El Paso, Texas) interrogates and deconstructs aspects of gender and masculinity found within the U.S. / Mexico borderlands. Their practice underscores the rigid and conservative patriarchal roots of their Evangelical Mexican upbringing merged with the cultural mores of West Texas, bringing to bear how these are often at odds with their own identity as a queer, Brown person. How do you see masculinity represented in your culture?

The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay marks the first solo museum presentation for internationally celebrated Mexican artist Mariana Castillo Deball (Germany, b. Mexico 1975) in Arizona. The exhibition features a newly commissioned installation of seven hand-built, pit-fired stoneware ceramics resembling natural and manufactured items –– from spiders and turtles to altars and backpacks.

San Juan-based Mariana Ramos Ortiz (Puerto Rico, b. 1997) and Phoenix-based Estephania González (United States, b. 1989) explore the interconnected themes of environmentalism, self-determination and impermanence in the Southwest and the Caribbean Archipelago. In their dynamic practice that employs innovative printmaking techniques, Ramos Ortiz explores the qualities of the earth as they relate to the realities of occupation, protection and temporality.

Drawn entirely from the museum’s collection, Spiraling, Twisting, Unraveling: Explorations in Pattern and Form explores the dynamic landscape and languages found in contemporary craft. The exhibition features 25 artists who explore principles of decoration, pattern and form. Delicate lines, trailing threads and seemingly endless spirals are used as devices to unearth themes alluding to the natural world and alternative concepts of eternity, life cycles, space and time represented across millennia and through diverse cultures.

Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection, 1980–2010 showcases a partnership between ASU’s Hispanic Research Center (HRC) and ASU Art Museum and brings together works from the 1980s into the 2010s drawn from the HRC’s dynamic collection.

Sarah Zapata (b. 1988, Corpus Christi, TX) employs weaving, tufting and traditional craft techniques to create loud, architecturally responsive installations that traverse themes of gender, colonialism and fantasy.

Luis Rivera Jimenez (b. 1997 San Juan, Puerto Rico) uses the intricacies of language, political thought and daily experience in the Caribbean to create intentional spaces of learning, conversation and care.

A pattern, a trace, a portrait: Four Artists from CALA Alliance’s Residency Program showcases new and existing work by Carolina Aranibar-Fernández, Diana Calderón, Estrella Esquilín and Sam Frésquez.

Sam Frésquez: Second Place is the First Loser showcases new work produced by CALA Alliance’s 2022 Regional Artist in Residence, Sam Frésquez. The exhibition opened October 7, 2022 and was on view at CALA Alliance through November 1, 2022. The exhibiton then traveled to Calderón Gallery, New York where it was on view from November 29–December 17, 2022.

The Mexican photographers Graciela Iturbide (b.1942) and Manuel Álvarez Bravo (1902–2002) are two of the most celebrated photographers in Latin America. The images each artist produced of their native Mexico have actively contributed to shaping Mexican visual identity while concurrently offering representations of marginalized populations that existed outside mainstream consciousness.

In 1980, Richard Allen Morris constructed a body of sculptural totems out of splintered wood debris that he gathered from a demolished building near his studio in downtown San Diego.